MOTION PICTURE SOUND
xx MOTION PICTURE PHOTOGRAPHY
xx SOUND
Tips on selecting microphones and recording sound on location for movies or videotape. INDUSTRIAL PHOTOGRAPHY Mar 1974 (v.23#3) pg. 32
Some suggestions for developing effective low-cost soundtracks for movies. INDUSTRIAL PHOTOGRAPHY Mar 1975 (v.24#3) pg. 18
Sound systems for Super-8. When to use which system and what equipment you will need. INDUSTRIAL PHOTOGRAPHY Mar 1976 (v.25#3) pg. 28
The basics of home sound movies. A look at equipment available for the amateur photographer. MECHANIX ILLUSTRATED #583 Dec 1976 (v.72) pg. 62
Tips for getting the most from your Kodak Ektasound camera, plus tips on editing the pre-striped film. MODERN PHOTOGRAPHY Mar 1974 (v.38#3) pg. 64
Review of Super 8 Sound and Cine-Slave movie system equipment and techniques. MODERN PHOTOGRAPHY Jun 1974 (v.38#6) pg. 114
Sound considerations when shooting instant action stories without scripts. MODERN PHOTOGRAPHY Dec 1976 (v.40#12) pg. 36
A primer on microphones used with sound movie cameras. MODERN PHOTOGRAPHY Christmas 1976 (v.40#13) pg. 36
Shoot for the best film sound you can get. Tips on getting good sound onto sound movies. MODERN PHOTOGRAPHY Aug 1977 (v.41#8) pg. 64
How to edit sound-on-film footage using a sound editor to locate precise cutting points. MODERN PHOTOGRAPHY Jan 1981 (v.45#1) pg. 12
Tip: Use a small clip-on style microphone to improve the sound when making movies. MODERN PHOTOGRAPHY Feb 1981 (v.45#2) pg. 110
Filmmakers' workshop. Part 9. Techniques for adding a soundtrack to super-8 movies. A review of types of sound, editing, recording equipment considerations, etc. PHOTOGRAPHIC Aug 1978 (v.7#4) pg. 65
Tips on selecting microphones and controlling acoustics in motion picture sound recording. PHOTOMETHODS Sep 1975 (v.18#9) pg. 40
Putting the audio into audiovisual. Training your ears to be sound-critical. Tips on using microphones and loudspeakers. PHOTOMETHODS Jan 1981 (v.24#1) pg. 35
Sound track your home movies. POPULAR MECHANICS Oct 1963 (v.120#4) pg. 196
How to put the magnetic stripe on your own 8mm films using inexpensive equipment. Est. cost: $.01 to $.02 per foot, plus equipment. POPULAR PHOTOGRAPHY Jun 1968 (v.62#6) pg. 126
How to make sound movies where lip synchronization is not critical. POPULAR PHOTOGRAPHY Aug 1968 (v.63#2) pg. 102
Tips on editing lip-synch sound movies made with the Bell & Howell Filmosound system. POPULAR PHOTOGRAPHY Jun 1969 (v.64#6) pg. 100.
Good films require thinking about the sound needed before taking the pictures. POPULAR PHOTOGRAPHY May 1971 (v.68#5) pg. 47
Example of post-recording the dialog of participants in a movie or slide sequence as an interesting way to add sound. POPULAR PHOTOGRAPHY Jan 1972 (v.70#1) pg. 21
Improve your shows with background music. POPULAR PHOTOGRAPHY Mar 1972 (v.70#3) pg. 116
Tips on what it takes to build a sound track using recorders with automatic level recording. POPULAR PHOTOGRAPHY Jul 1972 (v.71#1) pg. 52
A partial listing of musical composers and their works which seem to fit well into moving pictures. POPULAR PHOTOGRAPHY Apr 1973 (v.72#4) pg. 104
How to find "add-on" sound for your sound movies when the setting is silent and the subject has nothing to say. Selecting background sound for home movies. POPULAR PHOTOGRAPHY Apr 1974 (v.74#4) pg. 112
The filmmaker's eye. Part 3. Let's shoot a documentary on fear. Includes tips on tape recording techniques for interviewing or making sound tracks for documentaries. POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 116
Tips on conducting better interviews for sound motion pictures. POPULAR PHOTOGRAPHY Jan 1979 (v.84#1) pg. 24
How to shoot better Super-8 sound movies. A little juggling of mikes and fine-tuning of acoustics can make a big difference. POPULAR PHOTOGRAPHY Sep 1979 (v.85#3) pg. 96
Shooting sound-on-film presents obstacles, but several ways to overcome them are discussed. POPULAR PHOTOGRAPHY Jun 1980 (v.86#6) pg. 126
Add sound to silent Super-8 films. Prerecord on tape recorder and then dub onto the film's magnetic oxide stripe. POPULAR PHOTOGRAPHY Apr 1981 (v.88#4) pg. 92
Add sound to your home movies. How to interface a stereo tape recorder to a movie camera and movie projector to produce a synchronized sound track. Est. cost: $75. RADIO-ELECTRONICS Aug 1977 (v.48#8) pg. 45
Synchronize your film action to your sound track by recording your sound on a reel of film that has numbers filmed on corresponding frames. Then, using a sound editor you can easily identify the beginning and end frames of each sound. SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 12
Basics workshop. Sound film editing. SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 15
Basics workshop. Creating sound tracks. SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 15
In search of Supersound-8. A look at the complete sound aspect of motion picture filming. Part 1. Sound equipment. SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 25
In search of Supersound-8. Part 2. Build a windscreen and a barney. Also, tips on recording live. SUPER-8 FILMAKER May 1980 (v.8#3) pg. 32
Inexpensive sound synchronization for animation. SUPER-8 FILMAKER Jul-Aug 1980 (v.8#5) pg. 46
How to repair a cracked or peeling sound stripe. SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 10
Tip: Use imageless sound leaders and links between scenes to produce effective sound transitions. SUPER-8 FILMAKER Dec 1980 (v.8#8) pg. 8
Cut down on camera noise in recordings by using heavily draped backgrounds or by recording the sound in a separate room. SUPER-8 FILMAKER Jan-Feb 1981 (v.9#1) pg. 12
Added Info SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 14
How to add voices to your animated characters after filming. A look at planning and recording. SUPER-8 FILMAKER Mar-Apr 1981 (v.9#2) pg. 36
How to synchronize the recording speed on a editor with the playback speed of a projector. SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 14
Setting up a versatile sound system for Super-8. Consists of two interlocked projectors, magnetic film recorder, cassette recorder, equalizer and turntable. SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 18
Use a stereo-to-mono adapter plug along with headphones for better camera sound monitoring. SUPER-8 FILMAKER Jul-Aug 1981 (v.9#5) pg. 15
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